Why Art Matters. Catalogue Text. Refugees, Casula Powerhouse, 2016.

[SELF-TRANSLATION, RETRANSLATION] [AFTER FLUSSER] [EXCERPTS: THE MUSEUM OF HOLOGRAMS AND O-, F K-X D 2015]. ELP 4, Melbourne: Christopher L G Hill, 2015.

Now You See the Light, Man. Stationary, Hong Kong: Spring Workshop, 2015

Branches. Exhibition Text. Hossein Valamanesh, Casula Powerhouse, 2014

Optical Co-Efficiency. NEW 14, Australian Centre for Contemporary Art, 2014

Please Insert This As The New Preface (I know a change is gonna come)/Reordering the Cosmos, Westspace Journal, Issue 2, Summer, 2013

Dispersed Truths and Displaced Memories: Extra­territorial Witnessing and Memorialising by Diaspora through Public Art. Art of Transitional Justice. Ed. Peter Rush and Olivera Simic. New York: Springer, 2013

un précis (6.1): mostly conclusions and a few introductionsEndless Lonely Planet, Issue 2, Melbourne: Christopher L G Hill, 2013

Feel the Fear. Exhibition Text. Tony Garifalakis, Affirmations, Daine Singer Gallery, 2012

Dear Chris. Exhibition Text. Christopher L.G.Hill, Problem Poem, Conical, 2012

Instant Gratification. Review. Artpals, December, 2011

When Cracks Appear: Pat Foster and Jen Berean and Broken Windows.  Discipline, Issue 1, 2011

Notes from a Cretaceous World: Review. un Magazine, Issue 4.2, 2010

End Times. Catalogue Essay. Omega, Margaret Lawrence Gallery, 2010

Blackout. Exhibition Text. Tony Garifalakis, Bad Scene, Uplands Gallery, 2010

Stuff and Nonsense. Exhibition Text. Lisa Radford and Kati Rule, De Tetris Totems, Sutton Projects, 2010

James Deutsher: horoscope ecologies + We Are Building A Civilised Space Here. Review.  Artpals, January, 2010

Let’s All Go to Iraq. un Magazine, Vol.2, Issue 1, 2008

Waste Not, Want Not?  Dirty Secrets and a Fetish for Trash.  Catalogue Essay.  Ash Keating et al., 2020?, Next Wave Projects, 2008